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相。由心生

Physiognomy Derived from Heart

 

以東方佛家眾生相為出發， 
以西方完形心理學為實驗， 
藉由這套作品探討攝影中 
被攝者,觀看者,拍攝者之三角關係。 

分割的獨立元素能不能解釋全貌？ 
而將元素與元素間串起就符合總體嗎？ 

另加上姿態的演繹,情緒的透露,個性的臆測.. 
”心生”之相到底是被攝者原有樣貌？ 
或是拍攝者的主觀詮釋？ 
亦或是觀者的拼湊結論？ 
 

天地萬物，因心成相； 
相由心生，境隨心轉。 
黑白玄素，運鏡由心； 
棱角方圓，但看由人！ 

Motivated by the Oriental Buddhist Physiognomy Experimenting with Western Gestalt Psychology In this profolio of photography works,I hope to philosophize the relationships among the object , the viewer , and the photographer.

Can each divided elements individually represent the whole picture? Or does piecing the elements together completely correspond to the panorama?

Furthermore, the expression of the gestures, the revealed emotions, and the speculations of the personalities …ect, all need to be considered.
Therfore, I was wondering…Is the physiognomy from" Heart " the original appearance of the object, the photographer's subjective interpretation, or just the scratch conclusion made by the viewer?

Universe and creations, spirit form the phase;Phase shaped by heart, habitat turns with thought; Black and White, camera moved by the mind; Square or Circle, depends on the one!

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